Rockabilly Bash Logo
Search
 
Login Password

Bands » Carl Perkins

Carl Perkins
Date of Publication -14 September 2009
Submitted by: kitti
Copyrights: Rockabilly Hall Of Fame
Category: 50s Bands and Artists

(April 9, 1932 - January 19, 1998)

Carl Perkins was born to sharecroppers Buck and Louise Perkins (misspelled on his birth certificate as 'Perkings') and was soon out in the fields picking cotton and living in a one country shack with his parents, older brother Jay and his younger brother Clayton.

Working alongside Blacks in the field every day, it's not at all surprising that when Carl was gifted with a second hand guitar, he went to a local sharecropper for lessons, learning first hand the boogie rhythm that he would later build a career on.

By his teens, Carl was playing electric guitar and had recruited his brothers Jay on rhythm guitar and Clayton on string bass to become his first band. The Perkins Brothers Band, featuring both Carl and Jay on lead vocals, quickly established themselves as the hottest band in the get hot or go home cutthroat Jackson, Tennessee honky tonk circuit. It was here that Carl started composing his first songs with an eye toward the future. Watching the dance floor at all times for a reaction, Perkins kept reshaping these loosely structured songs until he had a completed composition, which would then be finally put to paper.

Carl was already sending demos to New York record companies, who kept rejecting him, sometimes explaining that this strange new hybrid of country with a Black rhythm fit no current commercial trend. But once Perkins heard Elvis on the radio, he not only knew what to call it, but knew that there was a record company person who finally understood it and was also willing to gamble in promoting it. That man was Sam Phillips and the record company was Sun Records, and that's exactly where Carl headed in 1954 to get an audition.

It was here at his first Sun audition that the structure of the Perkins Brothers Band changed forever. Phillips didn't show the least bit of interest in Jay's Ernest Tubb-styled vocals, but flipped over Carl's singing and guitar playing.

A scant four months later, he had issued the first Carl Perkins record, "Movie Magg" and "Turn Around," both sides written by the artist. By his second session, he had added W.S. Holland - a friend of Clayton's - to the band playing drums, a relatively new innovation to country music at the time. Phillips was still channeling Perkins in a strictly hillbilly vein, feeling that two artists doing the same type of music (in this case, Elvis and rockabilly) would cancel each other out. But after selling Elvis' contract to RCA Victor in December, Carl was encouraged to finally let his rocking soul come up for air at his next Sun session. And rock he did with a double whammy blast that proved to be his ticket to the bigs.

The chance overhearing of a conversation at a dance one night between two teenagers coupled with a song idea suggestion from label mate Johnny Cash, inspired Perkins to approach Sam with a new song he had written called "Blue Suede Shoes." After cutting two sides that Phillips planned on releasing as a single by the Perkins Brothers Band, Carl laid down three takes each of "Blue Suede Shoes" and another rocker, "Honey Don't." A month later, Sam decides to shelve the two country sides and go with the rockers as Carl's next single.

Three months later, "Blue Suede Shoes," a tune that borrowed stylistically from pop, country and R&B music, is sitting at the top of all charts, the first record to accomplish such a feat while becoming Sun's first million seller in the bargain.

Ready to cash in on a national basis, Carl and the boys headed up to New York for the first time to appear on the Perry Como Show. While enroute their car rammed the back of a poultry truck, putting Carl and his brother Jay in the hospital with a cracked skull and broken neck, respectively. While in traction, Perkins saw Presley performing his song on the Dorsey Brother Stage Show, his moment of fame and recognition snatched away from him. Carl shrugged his shoulders and went back to the road and the Sun studios, trying to pick up where he left off.

The follow-ups to "Shoes" were, in many ways, superior to his initial hit, but each succeeding Sun single held diminishing sales and it wasn't until the British Invasion and the subsequent rockabilly revival of the early '70s that the general public got to truly savor classics like "Boppin' theBlues," "Matchbox," "Everybody's Trying to Be My Baby," "Your True Love," "Dixie Fried," "Put Your Cat Clothes On," and "All Mama's Children."

While labelmates Johnny Cash and Jerry Lee Lewis (who played piano on "Matchbox") were scoring hit after hit, Carl was becoming disillusioned with his fate, fueled by his increasing dependence on alcohol and the death of brother Jay to cancer. He kept plugging along and when Johnny Cash left Sun to go to Columbia in 1958, Perkins followed him over.

The royalty rate was better, and Carl had no shortage of great songs to record, but Columbia's Nashville watch the clock production methods killed any of the spontaneity that was the charm of the Sun records.

By the early '60s, after being dropped by Columbia and moving over to Decca with little success, Carl was back playing the honky tonks and contemplating getting out of the business altogether. A call from a booking agent in 1964 offering a tour of England changed all of that.

Temporarily swearing off the bottle, Perkins was greeted in Britain as a conquering hero, playing to sold out audiences and being particularly lauded by a young beat group on the top of the charts named the Beatles. George Harrison had cut his musical teeth on Carl's Sun recordings (as had most British guitarists) and the Fab Four ended up recording more tunes by him than any other artist except themselves.

The British tour not only rejuvenated his outlook, but suddenly made him realize that he had gone - through no maneuvering of his own - from has been to legend in a country he had never played in before. Upon his return to the States, he hooked up with old friend and former labelmate Johnny Cash and was a regular fixture of his road show for the next ten years, bringing his battle with alcohol to an end.

The '80s dawned with Perkins going on his own with a new band consisting of his sons backing him. His election to the Rock & Roll Hall of Fame in the mid-'80s was no less than his due. After a long battle with throat cancer, Perkins died in early 1998, his place in the history books assured.

Written by Cub Koda, All Music Guide (May, 2000)

On Monday, January 19th, 10:30 Carl Perkins passed on. He was 65. Perkins died at Jackson-Madison County General Hospital from complications related to three strokes suffered in November and December, family spokesman Albert Hall said.


Published with permission of Rockabilly Hall Of Fame


Rockabilly Hall Of Fame


Band Members


Carl Perkins - Vocal and Lead Guitar

Clayton Perkins - Upright Bass
Jay Perkins - Rhythm Guitar
W.S. Holland - Drums

Discography



No Albums Submitted

Band Photos

To add comments to the band you have to login or create account

Articles Where Carl Perkins is Mentioned

Finn & The Sharks - an interview with Billy Roues
Submitted by rockabilly_girl (11 April 2007). Topic - Interviews
Finn & The Sharks is a New York roots/rockabilly band which has been playing American music since the late 70s during the great rockabilly revival. Their current sound is as great and powerful as it was...
Rockin' Daddy O's Rockabilly Ranch Party Online
Submitted by rockitradio (09 June 2007). Topic - Gig Feedbacks
Come tune into Rock-it Radio's latest Rockabilly Show online. It's Rockin' Daddy O's Rockabilly Ranch Party. You can go to tune in by going to the Rock-it Programs page at: http://www.palmsradio.com/rockittext.htm and...
3rd Annual Green Bay 50's Fest 2007
Submitted by rockitradio (09 June 2007). Topic - Gig Feedbacks
MIKE VINCENT REVIEW OF THE GREEN BAY 50'S FEST From: Rock-it Radio Newsletter June 8, 2007 http://www.rockitradio.net/newsletter.html A special thank you to Mike Vincent that send us this report on the Green Bay50's fest...
The 11th Rockabilly Rave, 2007
Submitted by kitti (08 August 2007). Topic - Gig Feedbacks
It is so nice to look back again and remember how it was - my first time at The Rave. And it was better than I expected! It was about 11 pm when I...
The story of rockabilly in Russia... how did it started?
Submitted by kitti (29 December 2008). Topic - Lifestyle
Looking through my archives I found a story written by a Russian rockabilly musician Kirill Prasalov. I asked myself: who else can describe rockabilly in Russian than a person, who belongs to this scene. ...
Sean Mencher's Interview, made after the Goofin Records 20th Anniversary Party in Helsinki, 2004
Submitted by mr_key_pee (09 January 2009). Topic - Interviews
It's sad to notice Sean Mencher, the guitar player of the legendary High Noon, is still not a one of the great rock guitar heroes like Jimi Hendrix, Ritchie Blackmore or Eric Clapton. But it's only...
Jerry Chatabox talks about Rockabilly Rave,,, and just rockabillly
Submitted by kitti (20 July 2009). Topic - Interviews
Rockabilly Bash. When did you first realise that such kind of music as rockabilly exists? Jerry Chatabox. When I was 14 years old. I heard Donít Be Cruel on the radio, and thought...
Hemsby 43 - Johnny Powers & Blue Cats Rock!
Submitted by rockinev (11 October 2009). Topic - Gig Feedbacks
Well it's Hemsby time again a place of almost pilgrimage for rock n roll fans. It never dissapoints. As I write this the majority of the fans are still there, some enjoying the afternoon riverboat...
Eddie Clendening...is not crying
Submitted by catzy (29 April 2014). Topic - Interviews
I think I heard Eddie Clendening live first time at Green Bay Rockin' Fest 2006. Since then he has grown up to be top class guitarist and singer. I had pleasure to have a word with...

EXPLORE OTHER BANDS

sort by band name
1-10 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z